![]() ![]() Since Issue 4, every issue of the magazine features a "re:Discovery", or a brief article that revisits a noteworthy vintage record. You use hip-hop to travel back and pick up on everything that's happened before." It's hearing someone sample something and saying, "Oh, yo, I gotta find that record that Primo or Dr. "Young people come to this older music it's through hip-hop. "We dibble-dabble in the new and the old", Torres told Current TV. Wax Poetics regularly features seminal artists like David Axelrod or Bob James, unveiling the stories behind the people and music that have provided both a cultural framework for hip-hop to evolve, and the sonic backbone for crucial elements like breakbeat. Torres' manifesto was not only to shed light on funk, soul, and jazz, but to illuminate the symbiotic and historical relationship between those genres and contemporary hip-hop. Ninety-seven percent of readers claim to collect their issues, according to a Wax Poetics reader survey conducted in June 2008. About 92% of Wax Poetics readership lies within the United States, mostly in Mid-Atlantic and Pacific states. ![]() Today, there are approximately three readers to each issue, making for a total audience of 232,200. Aside from regular contributions from editors, the magazine has no staff writers and relies exclusively on freelance work.Īccording to a 2009 press manual released by Wax Poetics, Inc. It has grown from 81 pages in its first issue to 130 pages on average. In terms of physical size, the magazine is a 7×10-inch publication in the vein of National Geographic. With Issue 15, published in February 2006, Wax Poetics transitioned from a quarterly to bimonthly magazine.Īs of September 2011, forty-eight issues of the magazine have been published. Starting with Issue 2, Torres began to incorporate a one-page editor's letter to preface the magazine's content. ![]() ![]() The magazine continues to be independently published. In December 2001, Torres, DiGenti, and DeBernardi independently published the first issue, which cost $6 USD and featured stories on Bobbito, Scotty Hard, Idris Muhammad, Charles Mingus, and Madlib. DiGenti had moved to California about a year before Torres called about the start-up, but agreed to co-found the publication across the country.įor a year, DiGenti and Creative Director Kevin DeBernardi, then a partner in the fledgling quarterly, collaborated to create a mock-up of Wax Poetics. There, they often made beats and went mining for vinyl together, further cultivating a common fascination with the crate-digging lifestyle. Although they had met at school, they didn't begin to develop a friendship until they had both moved to New York City in the late 1990s. Both Torres and DiGenti had graduated from the University of Florida in 1995-Torres with a degree in painting and DiGenti with a degree in English. Torres enlisted the help of Brian DiGenti, a close friend with editorial experience as a freelance writer. "What I was trying to do was essentially look at hip-hop through that lens." "No one was even touching jazz, soul, funk, or anything like that", Torres said in a March 2008 interview with Current TV. He scrapped the documentary and, instead, decided to start his own quarterly to fill what he perceived to be gaps in the landscape of contemporary music magazines. In spring 2001, Editor-In-Chief Andre Torres was living in New York City and conducting preliminary research for a documentary on die-hard record collectors when he realized there were no publications to consult devoted to the culture of beat-digging. In 2021, Wax Poetics was relaunched through a Kickstarter campaign, becoming a membership platform focused on long-form music journalism. Since the first issue of Wax Poetics was published in December 2001, the magazine expanded its operations to include apparel sales, a record label, and book publishing imprint. Its first incarnation was in regular circulation between 20. Wax Poetics is a quarterly American music magazine dedicated to vintage and contemporary jazz, funk, soul, Latin, hip-hop, reggae, blues, and R&B in the crate-digger tradition the name of the magazine is itself an allusion to vinyl records. ![]()
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